another wph release is ready to hit.. sampler e.p. for san sodas upcoming debut album.

exploits >beatbull< is an excellent modern tech-house/techno crossover stuff with catchy vocals, filtered piano chords and tribal groove. on the other hand >no harm< represents the dark side of techno music with its rumbling bassline and crazy siren sounds. last but not least is the epic remix of >no harm< served by one of most respected uk techno producers perc (perctrax, ovum, clr). he rebuilds the original into unique underground techno madness - big one!
support from umek, pig & dan, marco bailey, alan fitzpatrick, gary beck, joseph capriati and many others!

kaine teams up with kathy diamond for this soulful disco gem. b-sides >phathead< gets the remix treatment from mudd bondi.

>all i need< kicks off with female vocal chat on housey beats, in the middle you hear more of heavenly vocal – slow minimal filter house stylee. side b, >got to see her< presents party minimal disco style, marvin gaye-ish vocal line comes in middle with killer electric piano code. >hurt me< starts with killer funky bassline, groovy percussion & clap. theo parish esque flavour makes this track stands out when you play just before peak time on the dancefloor! simply winner.

philip lauer aus frankfurt ist der macher des gehypten house-labels brontosaurus, einer der resident-djs im robert johnson und teil des house-projekts arto mwambe. das piano-house-monster >delta nrg< ist zwar bereits auf brontosaurus erschienen, aber nie über den status einer geheimwaffe hinaus gekommen. heiß und brandneu ist der schöne mock & toof-mix und ein high nrg-track von lauer selbst

thirtyonetwenty is the international dialling code to reach amsterdam. its also the name of amsterdams hot label run by sandy huner, who co-founded techno imprint 100% pure in 1992.
for the 13th release on thirtyonetwenty we welcome gabriele baldi, a young, talented italian whose recent release on label bitten got heavy play from top djs such as oxia, ricardo villalobos and 2000 and one, causing havoc on the dancefloors.
gabrieles passion for music began at a very early age, from piano to rock, blues to soul, funk to 80s … his evolving eclectic musical background provides him with the foundations for his productions now – heavily influenced with deep, house and acid-funk sounds.
this time he is back with two grooving funky (tech) housetracks >all i want< and >crash love<. amsterdams own tom ruijg (bangbang!) finishes it off with a deeper house-take of >all want<.

1994 one of the best piano loops ever used in a house record with funky bassline and great earthy spoken vocals to create one of the all time great house track 2005 reissue!!

a welcome return for jaime read who has been releasing quality deep house and techno since the mid 90s via his own push ii shove label, tenth planet, fragmented and ugly music. here he drops a timeless ep of house and techno rythims to great effect. messages from outer space is a deep slice of timeless 808 driven electro soul. name no names moves along with spaced out keys and a sax line reverbed to great effect. no relief has that old school chicago house sound with piano stabs and a lush string breakdown. digital acid wraps it up sounding much like the title suggests with deep 808 bass and floor smashing snares

for their 3rd release well rounded bring you the imaginative and playful funky-influenced house sound of hackman. this ep is packed with punchy & polished productions and adventurous arrangements. we have curated 3 tracks that we feel demonstrate the breadth and potential of this exciting young producer based in leeds, england. on the a bodies is an ecstatic piano-driven belter with immediate appeal. the 4/4 drums drive hard, funked up with supple bass flexations, then punctuated with classic chords and catchy vocal cut-ups. what sounds simple here is carefully considered. a brilliantly constructed, exciting and peak-time melodic banger! on the flip surround leads the listener into more tropical terrain

my guitar whales is the first single from paul whites sophomore album, paul white & the purple brain. a psychedelic stripped-down banger, it mixes an eastern-influenced organ hook, rock hard drums, fuzzy synth bass and delirious chanting to mesmerising effect. on the flip, the bright future twins a naggingly catchy piano refrain with tumbling drums and the quirky touches that give whites music so much character.

limited one sided red coloured vinyl.... with huge piano - slammer

ftfo - for the fans of milton jackson, tuccillo, ali kuru, leon & kreon, george g, gorge, livio & roby... jazzy caravan is a grand peice of work that is looking to outline the silhouette of apparel music classics soul. the jazz follows us to the sweet memories of unforgettable melodies that are interpreted by artists par excellance for a special event. every producer represents one scene, unique and unmistakable. jazz samples (where oneboy project has groomed well the classical instruments - the trumpet, the piano and the double-bass) were given to every artist.

we kick the package off we have a remix from the mighty radio slave, and he certainly doesnt disappoint. with live keys from tom gandey of cagedbaby fame, he creates an awesome deep house rework, beautiful keys, rising synths and deep piano chords all make it feel like summer is already here.  jesse rose returns turns in a deep and dirty jackin house version, with bumpin bass, heavy swung drums and pitched down vocals, this is sure to tear after hours floors apart.  the rebirth of rising has started, and we cant wait to show what we have coming for you next

here is finally the first single from yakine, a close member to the eklo family. after his featuring on the hooksey vol.1, he gave us four tracks which he worked specially for this ep. yakine explored a new sound, some more melodic and deeper works, different from his usual stuff. captor of sin, the main track here. we find yakine in a more pop dimension with the vocals. the metric rhythm is mix it up with sub and perky shuffle grooves, everything harmonized through a lead ambiance made of weird synts & pads. then shirp, lead from synths, the track go on in the same vibe, more excentric and percussive, rounded beat, and a slap bass, 80s funk type. on the flip, temptation, a more singular track, a great detroit techno influenced, with his unusual keys and some indus sounds. the story ending with aferone, a deep and sensitive balad, overhang by a poetic piano coming and going all along. solid and versatile 12 inch.

already proving to be something of a hit within the soulful house community danny clarks solid ground label continues its rich vein of form with their anticipated third release – this time featuring the vocal talents of andrea love. widely known for her work with jamie lewis on purple music,her debut outing on solid ground is another infectious & uplifting soulful jam complete with rich piano keys & killer bassline. &#8232,,,remixes come this time out with gogo musics ralf gum, doruk ozlen and another blinding remix from the effervescent souldynamic.

sweet 4 track ep by this newcomer... 3ear has a great ear for new artist! sarrass is hailing from the south-west of germany. he began his musical career by studying trumpet and piano and performing in small classical and jazz groups. later, after learning about klaus schulze he got in touch with techno which has (as we all know) a huge impact! he debuted release on compost black with the >home at the sea< ep. third ear discovered him and signed this sweet 4 track ep! a nice blend of detroit techno with abstract electronical sounds as being used by klaus schulze and the early german pioneers and contemorary house. great modern club tools with a nice personal twist! check!

glimpse crosstown rebels prepare to break another sublime debut album from the uniquely gifted young producer, glimpse, unleashing the first single, >if i was your girl<, with a monster rework from simon baker.

for the second time, kadebostan opens up an oriental sound bazaar on fenou with the souk e.p. and feeds us with musical delicacies. on side a he charms us with a virtuous sounding clarinet like a snake charmer decoys the hissing reptiles from a basket. our hips are swaying softly and smoothly under this hypnosis to a beating rhythm and repeating bass lines. on the flip he reveals the veil and involves us in a world of foreign sounding magical music. it is a miraculous mixture of charming vocals, gently, but firmly beginning rhythm and oriental guitar and piano scales. what remains is a moment of magic.

well ok, no rule without exception... this beautiful joint from johannes albert is a little web 2.0 fairy-tail: the white rookie & cratedigga no. 1 moomin found a youtube clip of a dj hammering a super-deep, rough piano track in a club in the german city of paderborn. he didnt know the track, so he sent the dj a mail asking and a few mails later, the tracks from johannes were blowing away mr. offermanns ears. so the labelhead decided to make this the next white. of course first of all johannes & oskar had to meet a few times to make sure they understand each others vision well and after a few meetings they eventually became friends. so the labels movement towards the direction of house is continued by this release. wooden pearls is pure housemusic to the core. very wooden & grounded in the lower spectrum and crystal clear up in the sky. these very honest and timeless tracks tell us a story. the story of johannes alberts passion for house. since he was 15 years old, he is a fan. from the german franconia he follows house throu his local recordstore >swing king<

first part of the fabulous 2010 compialtion celebrating the 10th anniversary of dial records. isolée gives his far out label debut >black lodge< to have another artist 12inch later this year. efdemin comes along with a superdeep tune to tease us for his next album coming in may. with the glorious piano loophouse hymn >treacle mine< labelchef lawrence shows again that the dancefloor is a place for lovers. this is only the beginning.

this record isnt risky at all but a shure shot, if you are into early nineties italian disco-house!

this is the 11th release from sui generiz (division of absolut freak records), a special one marking a new phase of the portuguese label. andy book comes with a very deep track with beautiful chords, vocal works and melodic sounds, which give a nice and smooth trip called >if you tried<. the outstanding and famous french producer alexkid - already signed on the best labels such as f communications, rekids or cadenza - offers a super interesting and cleverly made remix. brilliant minimalist work pushing the limits of the original mix even further. then, the finnish producer zentex, well-known for his works on traum, kickboxer or resopal, is back on sui generiz (after having signed the first reference called >blue<) with a stunning version. deep, solid and driving remix. just listen! last but not least, johnwaynes - the exciting duo coming from the same land as the label - brings some organic beats and a bright piano for a beautiful remix, not less sui generis work than they use to do. their very unique sound, already heard on compost, brique rouge or bloop, will make you dance all long.

re edit of a beautiful soul drenched and piano led boogie obscurity!

the motor, the city and soul do return to one of the longest running deephouse labels on the planet. with almost 40 releases and still kicking and keeping vinyl alive this release is no exception. matthias vogt & c-rock join forces again and the two present a heavy loaded package of deep house. with sascha dive and jay shepheard we got two men of the moment to remix -cipher- and all four mixes turned out to be just amazing. sascha dives remix is built on driving beats and develops big time floor potential. vogt re-arranged cipher into an epic musical master piece that incorporates his piano skills. stir15 label head c-rock strips the whole thing down to a deep and tripped out dub and jay shepheard follows his last releases and deivers a stellar deep tech-house groover. a box full of house in different blends. after satoshi tomiees -back to basics- this is another amazing release that already made big waves housefloors around

lil tony is hotter than hot. while starting to dj and produce years ago, tony has been a staple in the scandinavian club scene since the early 90s. an amazing dj (actually one of the favourites around the moodmusic hq) and a talented producer, tony started with the fbi project with roberto rodriguez and kimmo oksanen before dropping some serious damage on raw trax vol. 1 last year on moodmusic. caned by everyone from luciano (he edited his own version of semble) to dj hell, tonys raw grooves cut the crap and moved people when other producers had to take a leak. hardworking, never forgetting his gentleman manners, tony is here to stay and raw trax vol. 2 is a bold new statement, and his best work to date. solid state takes the classic detroit influenced drum machine vs piano theme a step forward, a impeccable jam of 15 minutes with the beat keeping the pace, this has been roadproofed the last 6 months to good effect. the b-side karamba is a dry, tight driven tech-workout, perfect mixtool for the deeper techno as well as housier sets. it just works well. the closing checkpoint charlie is a tale of >lost in helsinki< – dark mean bass wanders around and gives space for the chuggin main line, monotonic body music at its best.

supported by: locodice, villalobos, raresh, hawtin, tanzman, rhadoo, 2000 and one, shinedoe, seth troxler, tania vulcano,.. barraca music label head andrew grant finally brings us his long anticipated first full release. littered with bulshy, blistering high-hats, a superble, snickety gritty groove & sinister quimmy plumes of utter brapness. nothing but a total lushness aura of strongby fingersnapping happiness from the circoloco resident dj as he deals up 2 tracks that are malleable and clunge enticing to any safe pair of ears.

its seems that underground quality are on a mission to bring us the deepest sounds around and this twelve from new name tazz makes no exception. acid love sounds exactly what youd hope it would sound like, warm 303s on top of old school house piano sounds. round this off with the simple yet effective underground 11 and a remix from dj jus-ed and you are on to a winner

its seems that underground quality are on a mission to bring us the deepest sounds around and this twelve from new name tazz makes no exception. acid love sounds exactly what youd hope it would sound like, warm 303s on top of old school house piano sounds. round this off with the simple yet effective underground 11 and a remix from dj jus-ed and you are on to a winner

after his big release on the clone loft supreme series, and great tracks on prime numbers and philpot mr dokes is back in the spot lights. here another intense three track ep with tracks that ll give you goose bumps all over. with his special way of programming, his dramatic strings and light piano play and shuffling house beats this is one of those artists with a special musical finger print that one recognizes out of thousands. a rare talent which puts more value on playing with his moods and emotions instead of aiming in straight dancefloor power. this 12 is building on what he started with the chicago pimp release... pure house tracks with a deep irresistible drive combined with joyful keys and seductive strings. some magic tracks from mr dokes!

aimed straight at the dance floor, like a piano monster from 88. sure, its like ibiza all over again, but ibiza used to be good back then. love will lead u back works its charms at a peak time of any party. man is an italo acidisco monster!

adultnappers original mix of monitor is a minimalist, atmospheric house outing with warm, evocative piano chords. percussive and synth soundscapes wash over the groove adding a stylish textural dynamic. conversely, mkl vs bgss (members of the group brazillian girls) step onto the scene with a live, organic funkafied jam that steps skillfully through afrobeat and retro disco/funk territory without missing a beat.

joe clausell has long been one of new york city’s busiest dance figures, thanks to his work in all areas of the house community: as a highly respected dj, producer, remixer, and label-head. after a decade long break from releasing a full length, here’s ‘un.chained rhythums part 1’ with a mix of worldmusic and afro/latin inspired club tracks

alfred azzetto the italian gigolo of house music teams up with vincent valler to present his new masterpiece dotted with a piano filled groove that reminds the early house sound with the 2010 touch of mr. azzetto and mr. valler. including alfreds near the ocean feat robin s. with the unreleased ii moods remixes - a must have remix to complete the package. thats house!

part three of the cocoon 10inch series is all about the modern british techno scene, and the first hypnotic exclamation mark is set by yousef from liverpool. after collaborations with carl cox and x-press 2, >come home< - which can also be found on sven väths current ibiza review >the sound of the tenth season< - seems to become one of the most important tracks of the winter season 2009/2010: with a steadily rising crescendo, yousef is weaving around a >strings-meet-piano< motive with massive reverb that gives the tribal beats a deeper meaning and thus will be enchanting the clubs. the flip side belongs to london-based dj and producer tim green. he is releasing on labels such as four twenty, sci+tec and trapez for more than three years now and his co-production with emerson todd, >exercise<, even made it to cocoon compilation i. >lone time< lives on metal-like percussions that are loaded with adrenaline and once more prove the fact that modern techno cant go without tribal elements

quentin harris with an energetic oldschool cut propelled by a hot sax lick and rolling piano chords. the b-side is more electronic with bubbling, trancey synth tearing it up. pure class!!! ltd backstock

cheeky white from italy using the classic dr baker & 2 guys on acid piano line with candi statons classic you go the love accapella b/w not sure about logic which takes the classic paperclip people throw loop and works it into something new. perfect party fodder

>all tracks are great! will definately play it... pianos on the beach is amazing.<
- robin (david gilmour girls)
>yeah, as i said, i think its your best edit 12 so far. the choice of tracks is great, >pianos on the beach< is the kind jam youd like to hear on a dancefloor late at night, i guess this could have been played by francis grosso or mancuso. same for >look at you<, fantastic track, very emotionnal, whis has something of an anthem. keep on sending me such a thing. (btw, i m a fan of canyons label, great stuffs)<
-cosmo vitelli
>this is the kind of release that makes me excited to dj again...and again. theres something here for the beginning, middle, and end of a great night.<
-alex frankel (holy ghost!)
>loving that piano jam mister renault - perfect to drop just when you have em where you want em towards the end!<
-jim stanton (horse meat disco)
>nice one jacques, sounding good man!<
-mark e
>mr. renault is on a roll!!!!! seeing as everyone and their mother is doing edits these days, it comes as no surprise than the man takes it to the proverbial next level with this ep.<
-my cousin roy (wurst music)
>love these - more great edits from jacques. have been playing them out with great results!<
-prince language

multi instrumentalist and singer maryja symone johnson and percussionist eric thomas joined together at the rhythm sticks festival in london in july 2004 to create new sounds that have been influenced by afro-caribbean origins. they have successfully performed at different concerts and festivals throughout europe. their first single >je suis music< edited by thiaba records is an adaptation of the original disco hit written in 1978 by international artist cerrone. afro-urban concept completely transformed this song by playing soca grooves with new melodies but the dance floor flavor stays alive. on side 1 is the vocal version with some extended piano, drums and percussions improvisations at the end. on side 2 the first track is an instrumental version recorded with the typical 70s sound where the drums and percussion are in evidence. the second track is more an hypnotic london drum n bass version.

with the release of their new single, >you got me burnin<, the long wait for the new track from the dj / producerteam, milk & sugar has finally ended. as in their last single >stay around<, the munich duo has skillfully intertwined their typical house grooves with the soulful voice of ayak, who once again delivers a dynamic, energeticperformance. milk & sugar reconfirms with this new song that for a great house track, not much more is needed than a driving beat, a phat bassline, piano and a good hook.
last october, their previous co-operation with ayak, >stayaround<, reached top positions on the club charts in england. this, despite the fact that the track had alreadybeen released in 2007…

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

sebo ks last release on mobilee, diva, was a hit, and one of mobilees most popular tracks in 2008. since then hes primarily stayed under the radar, popping up only momentarily to release a track on cecille in july of 2009. with his new release spirits, sebo returns not only to mobilee but also to the sonic tropes that propelled him to success in the first place. undulating melodics that stretch like rubber bands, a funky bass line, and a jacking house beat: within the first few seconds of hearing spirits one immediately recognizes the slew of sounds with which sebo k made his name. the track takes its time to build as well, riding the groove for a bit before bringing a singular, high pitched note into the picture. as it continually gains momentum and rises in intensity, the captivating sounds of a piano arrive, adding yet another layer of familiar and hypnotic melody. all the tracks components merge seamlessly, with percussive accents here and there until staccato strings make a dramatic entrance, fluttering and dialogue with the rest of the tracks components. by the end of the track, the piano has gotten back in the drivers seat, steering the track along it s course. the drum version builds off the vintage house sounds of the a-side but substitutes extensive percussion from max moya for the strings and piano

2009 has seen a slew of new detroit producers in what is turning out to be a stunning year of activity for the citys dance music. as the area experiences another test of its collective mettle, these musicians have emerged with some fresh insights. its detroits new wave, and its happening at a time when everyone wants to know whats really going on in the 313. as always planet e is on this wave with monty luke. following up releases on claude von strokes mothership music label, luke transplanted from california to detroit, shunning grace for grit and delivers his first offering for planet e, >art, love & war.< the labels first release since the 69 box set, >art, love & war< matches deep, stark piano stabs with sharp expansive drum hits, its upfront, its beat-driven, its for the dancefloor. the fantastic carl craig remix on the flip throws jagged edges of the original around in unexpected ways, its the first c2 remix on planet e since his epic remake of martin buttrichs >stoned autopilot<

already played by efdemin, akufen, mathias kaden, jimpster, frivolous, magda, jeff samuel, kez ym, mathias schaffhäuser, tomboy and more... strong gymnastic house tunes brought to you straight from the gym. pumping iron by brandt brauer frick… and 1 and 2 and 3! brandt brauer frick produce club music with self-recorded acoustic instruments (prepared piano, vibraphone, drums, various per- cussions, brass and string instruments), rhodes, bass guitar and few analogue synthesizers, as heard on their ep „iron man“ (incl. remixes by lee jones and treplec) or at their great performance at berghain last month. for the gym they have made two rather untypical house tracks, using more synths than they usually would, celebrating a more gymnastic dancefloor approach. enjoy!

limited to 500 copies! hot on the heels of this years maxi single, erol alkan and boys noize proudly present the stunning chilly gonzales piano rework of waves. the legendary entertainist has been a long time friend of alkans (he was also the only performer to play his london niteclub trash 3 times during its decade long existence) and has currently been putting the finishing touches to his boys noize produced next album, set for release next year. released november 23rd on an extremely limited edition 10 inch of 500, the piano rework comes backed with a spoken word episode from chilly explaining how one would translate a club banger into something your grandfather could get with! fresh off his guinness world record performance (27 hours, 3 minutes and 44 seconds), chilly will also be appearing at a londons la pigalle as part of a residency every wednesday throughout november for a series of piano talk shows, each featuring a cameo appearance from friends.

the particular view on a musical future might have been considerably different when olaf hilgenfeld (berlin) met iftah gabbai (jerusalem) for first sessions in 2004. the piano player hilgenfeld used the accordion that time mainly, whilst gabbai was using all instruments available, a computer was among those more by chance. only one year later the duo skinnerbox played regularly on such uplifting, innovative off-partys that came up in the new techno generation again.
that was just the beginning. skinnerbox have developed a purely electronically composed and performed music (partly featuring vocals by elle_p) – that is not based on loops but improvised techno inspired house and minimal house. the roles in the duo are clearly settled: olaf hilgenfeld – moog synthesizer, iftah gabbai – hardware drum machines, max/msp und ableton live.
all these distinct impacts and effects can be heard on their various releases from the last two years, but far better in their live sets. skinnerbox are an experience, taking you on expedition with paralyzing minimal, breaking house, hard-edged techno-jazz, and ambient electronica futurism.
it was a desire to eternalize this play- & colorful diversity, often just caused by the moment, as entire homogeneity. thus, they needed to leave temporarily their environmental techno and minimal house scapes. >king of spades and marmalades< – the result – is a jazz opus wrapped into a disco suitcase. it is a reminiscence as well as going far ahead of daily musical habits, shown not at least by the order of tracks, do not starting with a stunning hit of the album, but with 20 minutes of challenge.

fantastic, versatile package with an oldschool-house style piano jam by ilija rudman, an atmospheric, slightly acidic remix by mark e and an uptempo take by pete herbert powered by a nasty euro-disco bassline

bodo elsel has only done a handful of records and the two that i have known and loved since 1998 were put out on playhouse, the excellent housey sister-label of mighty klang elektronik. one track in particular, discount baby, has always stood out in my mind as a high water mark in the sacred art of groove (you may have heard of it). punchy accents and resonant bass layered with trippy vocal loops, its dubby acid house of the highest order, made by a mysterious german lego-master, who the a&r team of mike mind and thomas st shindig managed to coax back into activity.
it only took bodo a year to answer mr. minds email, but he eventually delivered three amazing tracks... >haustier< revitalizes piano house. >mai< is incredible, and >mein haus< is one of the top few all-time expressions of the greatness/meaning of germany, putting it in the fine company of the autobahn, sven väth and christmas-market schwein. nice wibes!!
the icing on the cake was that bodo made it very clear he wanted no part in royalties or any of that business crap... he just wanted 42 copies of the record. yes. 42.
we were so inspired by all of this that we decided to put this record out in a different way for us that just feels right this time.... if you want to find out just how good the >mein haus ep< is, you will have no choice but to buy a copy of the 12 inch because this one is a vinyl exclusive!

love from montreal,
thomas von party

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

laidback piano / string drenched house with soulful vocals - remixed by shield & old school garage heroes faze action.